飞鸟弓长羽

It is almost the same as our <Wu Jian Dao> but different ending. I think I may call it a copy. I don’t like this film at all, perhaps becase of the first impression or the actors. It paid more attention to the plot and the language but less the psychology.

I love the background music especially which sing by Caiqin” who is knocking my window, who is fiddling the string…” which made the our film more sorrow, let us immersed in the plot and feel the hero’s feeling. However there is not any cantus in this film only the gun and bad words we can here, I guess that is the way the American express their comprehension to “agent provocateur” this conception.

No matter you are a good man or a bad, the final ending is the death no exception. The cop he wants to be a good man but for the guilty he choose death. The hide cop wants to be a good man either but no way, nobody will give him the chance, he has to die. Both are not good endings, what left to us is only a sigh.

The cop? True or fake? The true is fake, the fake is ture.Good or bad? The good is bad, the bad is good. Sarcastic! The same as our life, what is true? What we have seen? No, everyoone is a lier who lied to himself and make himself believe that is the real. But it is enough, the most important person in your life is you not anybody else.

So, just walk on your own way, let the hell say whatever they like till the end of your day. The happiness and sadness won’t follow you to the heaven.

戈雅是18世纪著名的西班牙画家。他以一个无情的肖像画家的眼光，以一个清醒而孤独的人的眼光，见证了他那个时代的西班牙的方方面面，宫廷的没落、战争的恐怖和社会的不公。王孙公子和斗牛士，公主和庞姬，朝臣和诗人......<FONT face=SinaEditor_Temp_FontName>影片所讲述阴险狡诈的僧人洛伦佐，年轻女孩伊内丝，两人都是画家戈雅肖像画中的虚构人物。

1792年西班牙，由天主教掌握最高权利，邻国法国的革命事业也引起了西班牙国内的骚乱。西班牙天主教决定重新启用令人畏惧的宗教裁判所。将近二十年之后，法国军队占领了西班牙；欧洲地图版权继续着变动，当新西兰惠灵顿强大的军队入侵西班牙的时候，西班牙再次陷入混乱之中。这个故事就发生在这个动荡的年代。

整个影片从戈雅的视角出发，从发生到结束，从一幅纯美的potrait到终了那幅略带着讽刺的辛酸画面——那拉着死去的洛伦佐的手的露着满足笑容的伊内丝、西班牙唯美的建筑和街道、孩子们稚嫩的歌谣，都是戈雅画笔下的灵魂。

风水轮流转，或者说人有旦夕祸福，或者说幸运之神不会永远眷顾一个人，或者说或者吧！洛伦佐曾是教会的主干，受到西班牙迫害后逃往法国，在法国统治西班牙时作了检查官，审判了曾迫害他的教主；而当新西兰统治时，他却又被教主送上了断头台。

历史的风水没有轮流转，确是无情的在重复。导演福曼出生在捷克，他的父母死于奥斯维辛集中营。“50年前我就有了拍摄这个故事的想法，当时我看了一本有关西班牙宗教裁判所的书，意识到历史是多么无情地在重复自己。”福曼在新闻发布会上说道。“后来我在自己的生活中发现了相同的事情……先是纳粹，现在又是中东。”

 人类难道就没有意识到自己的愚蠢么？给自己一个信仰，避免了内心的空虚，就让人们信仰上帝、佛祖等等吧，随便你愿意，那有什么错么？可是错就错在，为什么要将自己的意志强加于人，The Liberty!The Liberty!The Liberty! We apeal it but we ruined it ourself.

 I admire those artist who can record the real life, the real image of his modle. Something that can not tell by words, can describe by the paint."If is not the painting I won't remenber she is that kind of ugly" one sentence in the movie. So you will understand what I mean.

 Goya's Ghosts is the reality.